Richard
Hoggart. The Uses of Literacy.
This book was first published in 1957 and was
the earliest, and most effective, attempt to
understand changes in British culture caused by
“massification”. In it Hoggart argues that the
appeals made by what he calls “the mass
publicists” were made “more insistently,
effectively and in a more comprehensive and
centralized form today than they were earlier;
that we are moving towards the creation of a
mass culture, that the remnants of what was at
least in part an urban culture “of the people”
are being destroyed”. He examined cheap novels
and magazines, popular newspapers and post war
cinema and detected drift in all areas. The old,
close, tightly knit working class culture was
breaking up. In its place was emerging a mass
culture composed of tabloid newspapers, the
ascendancy of media Barons such as Rupert
Murdoch, advertising, and Hollywood. These
forces colonized localities and robbed them of
any distinctiveness, being external to that
which they dominated. His critique is not of
popular culture, but of mass culture, which he
distinguishes from popular culture as something
that is imposed on the population from above.
The value of “popular culture” is that it is
self-created and so has a fundamental integrity,
it is broadly sui generis, evolving according to
its own laws and dictates rather than at the
promptings of the mass media.
We must wonder whether, in this definition,
there is any popular culture left, eliminated by
the mass culture that has replaced it. In fact,
all that Hoggart predicted has happened with
speed and depravity. We live in an identikit
world defined by the sameness of our high
streets, the values we import from the media,
and our patterns of behavior and relating. As
mass culture develops, propelled by new
technologies, the profit ethic and the push for
market share, and the manipulated tastes of
individuals, we must wonder where it will take
us next.
How has this occurred? We might look towards the
advertising industry to provide a case study
that is illustrative of more widespread and
general cultural factors that have created a
psycho-sociological system of desire, need, and
wants and an internal psychological make-up that
tends towards the narcissistic. Advertising, as
it is described below, should be taken to be
only one of the forces that has produced our
contemporary cultural climate, but it can be
seen as a Weberian "ideal type", and therefore
illustrative of some of the influences that have
produced cultural change over the past forty
years or so.
Advertising is seductive because it bases itself
on the evocation of desire, and it deploys every
technique and every ideology towards this end.
It serves a machinery that that is rooted in
capital, the market, commercialism and
consumerism, and propagandizes for these
ideologies in an indirect and tangential fashion
that is dangerous because it is not obvious and
because it bends every alternative message and
ideology towards its own purposes and
incorporates them within its own universe.
Marcuse thought that advertising creates a
climate within which "luxuries have become
necessities that men and women alike must
acquire lest they lose their status, whether on
the competitive market, at work or in their
leisure activities. This leads to the
perpetuation of existence’s given over to
alienating and dehumanizing practices and the
need to find jobs that propagate enslavement and
its attendant system".
Advertising is all about the manipulation of
human beings. It responds to people only
inasmuch as they are consumers, and its
relationship to its audience is based on valuing
them only in so far as they are able to consume.
These values and perceptions then enter the
culture and influence people's day to day life,
their relationships and values. There is no
question that advertising is hugely successful
but in a way that is not generally understood:
it has made the values, and valuing, of
consumption and possessing ever more and grander
consumables, not necessarily with any effort,
the indication of social success. Advertising
emphasizes pleasure and gratification rather
than restraint and repression. It has created,
together with other social forces, an
expectation of entitlement, and an increasing
intolerance of frustration and any delayed
gratification, that now pervades the culture.
Thus, it values change for changes sake,
superficial, surface, and showy change, rather
than any deeper move towards maturity or
integration. These are the traits of narcissism
in the individual which can also be said to
characterize a culture or society.
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